Sunday, January 12, 2025

Decluttering art and art supplies


Cannibalized picture file
(very) mixed media
©2009 – 2015 Charlene Brown

Last week, I listed my Plans for 2025.  One was "Decluttering computer and hardcopy files"

I’ve just come across the following in Plans for 2015:

“What to let go of to start the year anew?  

Old projects that never got past the background info-gathering stage, or what’s left of those that have been excerpted for better projects." 

At the time I mentioned that would be a lot of paper to be recycled out of binders and files, and a lot of MBs of computer memory to be cleared.  

In my Review of 2015 a year later, decluttering wasn’t even mentioned. And it’s quite possible I could have a GB of jpegs I can get rid of by now.  Plus dozens more works on paper...  

However, I have now begun the project. The cannibalized picture file above contains some of the remnants (now deleted) of the files I used in my book, The Fine Art of Physics.  And I’ve made a small start on cutting or tearing up watercolour paintings and sketches for cards or collage…

Sunday, January 5, 2025

The Plan for 1150 Words in 2025


Front cover: Visualization of the Anthropocene
                        Crowfoot Glacier, Canadian Rockies (1910, 1960, 2010)
watercolour, Photoshop™ and InDesign™
©2023 Charlene Brown


  1. Visualization of the Anthropocene: I will complete this series of essays and illustrations of the increasingly drastic climate effects of the Anthropocene, with emphasis on Arctic warming. 
  2. Travel painting: I have two painting trips planned, one to an artist colony, and the other to see my great-grandchildren.  Neither will include the Seattle airport.
  3. Decluttering computer and hardcopy files.  And art supplies. 

  4. AI Training – learning more about the AI capabilities on my computer, as well as training that AI to understand my way of thinking in order to refine my ideas and, possibly, my paintings.  (Apparently this can be done!)

Sunday, December 29, 2024

Year-end Report


Machu Picchu
watercolour sketch
©2009 Charlene Brown

Paint Every Mountain: I completed and published a small book about hiking and painting in mountains all over the world, working with what I have found to be the only truly portable plein air ‘painting’ kit a bag of crayons.

Travel Painting:  eight posts about an Alaska Cruise, one post about a harbour-to-harbour flight to Vancouver, one post (how to set a broken arm) about what started out as an art tour of Spain, but only got as far as the Seattle airport.

Creative Archaeology:  I completed the series ‘Time Travel with a Bag of Crayons.’  Now in chronological order, it includes some of the photos and sketches, such as Machu Picchu, above, accumulated in past archaeology-related travel with the Art Gallery of Greater Victoria, or the University of Victoria travel study program, or trips with my grandchildren.

Visualizing the Anthropocene: I have added several illustrations relating to the climate effects of the Anthropocene.  Some are straight-up landscapes and others are interpretations/extrapolations of data relating to potential de-carbonization processes.

Greeting cards:  How many – at least 30!  I’ve lost count, as some have been mailed to family and friends. This surprising productivity was partly because of having to use up a pack of 50 blank watercolour cards that I bought because nothing smaller was available when I just needed a few.

Sunday, December 22, 2024

Christmas cards of the New Blue Bridge from three angles

Looking east








Looking south-west
















Looking south-east

At this point, the ‘New Blue Bridge’ is not particularly new (I first wrote about it in 2018) and, unlike the old blue bridge, it isn’t actually blue.  It's white but has blue floodlights at night.

The first two painted cards above are ‘Christmas’ versions of large paintings I have done in the last few years, and the third one is an updated watercolour version of a 2005 computer painting, below, which included the old blue bridge (just below the Legislature).



  



 

Wednesday, December 18, 2024

Urban Agriculture

Downtown on the Farm
watercolour and crayon
©2024 Charlene Brown

 

Urban farming can minimize the carbon footprint associated with mass production and distribution of food, by localizing produce supply. The concept may help to make healthy food both affordable and accessible to those who need it, addressing issues of urban food insecurity.

Rooftop or vertical gardens represent a very efficient use of space producing tons of fresh, healthy food as well as removing CO2 from the air. 

Urban agriculture can include horticulture (often hydroponic, rather than soil-based), beekeeping and, at ground level, small livestock production (generally limited to poultry and eggs, but sometimes extending to pigs, goats and sheep), and aquaculture.


 


Sunday, December 15, 2024

More painted Christmas cards

Banff Avenue
watercolour Christmas card
©2024 Charlene Brown

Banff Avenue
watercolour Christmas card
©2024 Charlene Brown




I painted another realistic(ish)/abstract(ish) pair of cards, this time the view of Banff Ave. from the bridge over the Bow River, and mailed the second one to the only person I knew would prefer it to the first.




 

Wednesday, December 11, 2024

Land Use Competition*


Fighting back on the front lines of climate change
watercolour and crayon
©2022 Charlene Brown

'Fighting Back' is based on a combination of internet images of the Great Green Wall in Niger, Senegal and Mali.  This African-led initiative, only begun in 2007, has made amazing progress on the ambitious plan to grow and/or restore an 8000km belt of biodiversity across the continent from Senegal on the Atlantic to Djibouti on the Red Sea. This formerly lush region, known as the Sahel, had already fallen victim to some of the challenges that humanity could be facing this century ─ desertification, drought, food shortages, migration and international terrorism.


Land use is one of the best tools available to lock away tons of carbon dioxide and achieve our climate goals. But it’s also crucial for growing food. Can these two future demands co-exist?

It may be possible to increase food production, protect habitats, lock away tons of carbon, and expand renewable energy production to keep warming below 1.5 °C — all of that, without any of these land-based changes infringing on each other’s space. 

A scenario developed by Shell Oil shows the fairly drastic land use changes that would be needed in order to keep temperature increases to below 1.5 °C by 2100. Much of this change would rely on the undeveloped land across the planet to capture carbon and produce clean energy — which would mean expanding solar and wind farms across this territory, capturing huge amounts of carbon in soils and habitats through nature-based solutions like reforestation and soil protection, and some amount of carbon capture and storage. 

Apparently even the biggest changes required to meet the climate target (nature-based solutions, which require by far the largest areas of land) wouldn’t encroach on food production. In fact, by 2100 according to the model, 61% of global cropland would also play host to some kind of nature-based solution. One standout example was biochar (defined in Glossary page 60), which could provide the largest carbon sequestration from a single nature-based solution in farming, the researchers found. Other examples are conservation tillage, planting nitrogen-fixing legumes, and agroforestry.  As well, cropland would be able to expand into pasture land, formerly used for livestock production, that will decline because market pressures would apply higher costs to the production of high-emissions food.

To meet climate targets, a greater area of carbon-sequestering forests would need to be protected, and forests would need to be expanded through reforestation schemes, as well. According to the model, that would also be possible with the available land. 

The goal of on-going research is to upend the idea that we need to protect either nature, climate, or food. Instead, it has been shown to be possible to fit the land for major human needs, while protecting and restoring land.

·         *  Excerpted from an article by Emma Bryce in Anthropocene online, November 22, 2024


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Sunday, December 8, 2024

Ready for Christmas

Consolation Lake
watercolour Christmas card
©2024 Charlene Brown

Three Sisters
watercolour Christmas card
©2024 Charlene Brown

I started painting Christmas cards in September because I had travel plans for October and November  (which I have since blogged about) and knew I wouldn’t have a lot of time available before Christmas.  So, at the time, I was pretty impressed with my Christmas readiness. 

Now, not so much, because I have done very little else to get ready. This is partly due to the travel interruption I wrote about in blog posts on October 9 and  October 16 (and have also written about in a couple of time-consuming travel insurance claims.)