Wednesday, December 18, 2024

Urban Agriculture

Downtown on the Farm
watercolour and crayon
©2024 Charlene Brown

 

Urban farming can minimize the carbon footprint associated with mass production and distribution of food, by localizing produce supply. The concept may help to make healthy food both affordable and accessible to those who need it, addressing issues of urban food insecurity.

Rooftop or vertical gardens represent a very efficient use of space producing tons of fresh, healthy food as well as removing CO2 from the air. 

Urban agriculture can include horticulture (often hydroponic, rather than soil-based), beekeeping and, at ground level, small livestock production (generally limited to poultry and eggs, but sometimes extending to pigs, goats and sheep), and aquaculture.


 


Sunday, December 15, 2024

More painted Christmas cards

Banff Avenue
watercolour Christmas card
©2024 Charlene Brown

Banff Avenue
watercolour Christmas card
©2024 Charlene Brown




I painted another realistic(ish)/abstract(ish) pair of cards, this time the view of Banff Ave. from the bridge over the Bow River, and mailed the second one to the only person I knew would prefer it to the first.




 

Wednesday, December 11, 2024

Land Use Competition*


Fighting back on the front lines of climate change
watercolour and crayon
©2022 Charlene Brown

'Fighting Back' is based on a combination of internet images of the Great Green Wall in Niger, Senegal and Mali.  This African-led initiative, only begun in 2007, has made amazing progress on the ambitious plan to grow and/or restore an 8000km belt of biodiversity across the continent from Senegal on the Atlantic to Djibouti on the Red Sea. This formerly lush region, known as the Sahel, had already fallen victim to some of the challenges that humanity could be facing this century ─ desertification, drought, food shortages, migration and international terrorism.


Land use is one of the best tools available to lock away tons of carbon dioxide and achieve our climate goals. But it’s also crucial for growing food. Can these two future demands co-exist?

It may be possible to increase food production, protect habitats, lock away tons of carbon, and expand renewable energy production to keep warming below 1.5 °C — all of that, without any of these land-based changes infringing on each other’s space. 

A scenario developed by Shell Oil shows the fairly drastic land use changes that would be needed in order to keep temperature increases to below 1.5 °C by 2100. Much of this change would rely on the undeveloped land across the planet to capture carbon and produce clean energy — which would mean expanding solar and wind farms across this territory, capturing huge amounts of carbon in soils and habitats through nature-based solutions like reforestation and soil protection, and some amount of carbon capture and storage. 

Apparently even the biggest changes required to meet the climate target (nature-based solutions, which require by far the largest areas of land) wouldn’t encroach on food production. In fact, by 2100 according to the model, 61% of global cropland would also play host to some kind of nature-based solution. One standout example was biochar (defined in Glossary page 60), which could provide the largest carbon sequestration from a single nature-based solution in farming, the researchers found. Other examples are conservation tillage, planting nitrogen-fixing legumes, and agroforestry.  As well, cropland would be able to expand into pasture land, formerly used for livestock production, that will decline because market pressures would apply higher costs to the production of high-emissions food.

To meet climate targets, a greater area of carbon-sequestering forests would need to be protected, and forests would need to be expanded through reforestation schemes, as well. According to the model, that would also be possible with the available land. 

The goal of on-going research is to upend the idea that we need to protect either nature, climate, or food. Instead, it has been shown to be possible to fit the land for major human needs, while protecting and restoring land.

·         *  Excerpted from an article by Emma Bryce in Anthropocene online, November 22, 2024


·          

Sunday, December 8, 2024

Ready for Christmas

Consolation Lake
watercolour Christmas card
©2024 Charlene Brown

Three Sisters
watercolour Christmas card
©2024 Charlene Brown

I started painting Christmas cards in September because I had travel plans for October and November  (which I have since blogged about) and knew I wouldn’t have a lot of time available before Christmas.  So, at the time, I was pretty impressed with my Christmas readiness. 

Now, not so much, because I have done very little else to get ready. This is partly due to the travel interruption I wrote about in blog posts on October 9 and  October 16 (and have also written about in a couple of time-consuming travel insurance claims.)


Wednesday, December 4, 2024

Climate Change Education


Winter in Edmonton
watercolour and crayon
©2016 Charlene Brown

Awareness of the consequences of global warming is gradually showing up in university curricula everywhere, mainly in environmental and physical science programs. This won’t be enough. Climate change courses should be made mandatory for every student, in every discipline. Climate change impacts us all, and we need everyone’s skills to address it, from art to business to health.

This is especially important in northern areas, where average temperatures are increasing even more rapidly than in temperate regions. I attended university in the city illustrated above, about sixty years ago.  We hadn’t heard about global warming at the time and if we had would have considered it a fine idea, unaware of the associated threats to health, extreme weather events, wildfires and flooding, forced displacement, pressures on mental health, and increased hunger and poor nutrition in places where people cannot grow or find sufficient food.

Some universities are even developing degree programs related to climate change.  Examples are the  Institute for Climate and Sustainable Growth at the University of Chicago, which will offer undergraduate and graduate degrees with a focus on climate systems engineering, and Columbia University, where a dual degree in urban design and climate has been added.*

*excerpted from Carbon Almanac Network dailydifference@thecarbonalmanac.org 1 November 2024 

Sunday, December 1, 2024

Effect of de-carbonization on energy employment


 Projected changes in global energy employment by sector and scenario, 2022-2030

In 2021 it was estimated that weaning energy systems off fossil fuels would result in 9.5 million fewer fossil fuel jobs world-wide. But in most regions, new renewable energy jobs would more than make up for these losses, with 17.4 new alternate energy jobs. 

It was said that manufacturing and installation of alternate energy systems could potentially account for about one third of the new jobs.

·        *  Excerpted from an article by Sarah Deweerdt in Anthropocene magazine 


Another visualization of the changes in energy employment since 2019 is shown in the graph below by the International Energy Agency.  Note: 2024 employment estimated.




Wednesday, November 27, 2024

Coral bleaching tipping points and the death of Arctic ice


Sea Surface Temperature anomalies range from 1°C (yellow), 3°C (red), and > 5°C (black). 
Purple anomalies are <1°C

A two-year experiment found that coral reefs could survive in heated water better than expected.

BUT, the experiment only tested temperature increases of 2°C.

The target negotiated in Paris in 2015 was to keep average global temperatures this century to “well below” 2°C above pre-industrial levels. Currently, the world is on track for an increase of 2.6-3.1°C. Earth passed over the coral bleaching tipping point in the 1980s.

It takes a 1°C (yellow) anomaly for a month to cause coral reef bleaching, but black areas in the map above mark Arctic Ocean anomalies more than 5°C above the average historical temperature in the warmest month! These extreme marine heat waves herald imminent loss of summer Arctic Ice and even more rapidly rising global temperatures in the near future. As white Polar ice melts and is replaced by dark blue water, the albedo effect will accelerate runaway global warming: loss of Arctic summer ice will increase sunlight absorbed at the surface from 40% to 90%.

There is little time left for either coral reefs or Arctic ice if we don’t reverse CO2 increase immediately!

Sunday, November 24, 2024

The realism/abstract continuum


All of these pictures, except for the one on the left, exist only on my computer.  They are Photoshop™ variations of this original card painting of Mount Rundle.  

I could, of course, print them on some of my still-huge collection of blank watercolour cards ─ if I had a printer that would put up with that sort of thing.  But my sometimes-temperamental printer has been working beautifully with regular paper recently, and I don’t want to antagonize the thing.

So all but this one will continue to exist only on my computer.












Wednesday, November 20, 2024

The decarbonization of the Arctic


Pond Inlet
watercolour and crayon
Charlene Brown, 2017

Two of the concerns that represent areas where we might have some leverage in our up-coming negotiations with ‘Trump Country’ are also essential  factors in Canada’s crucial decarbonization program. These are Arctic security and energy security – areas in which we are already behind schedule in targets pertaining to the 2015 Paris agreement.

Climate change is causing greater and more rapid temperature increases in the Arctic.  The reason is simple.  Ice and snow are white and therefore reflect a lot of the incoming sunlight. After an initial warming and melting of the snow and ice, the white surface gets replaced with a darker surface of the open ocean, which absorbs more sunlight, thus leading to additional local warming.  

Parts of the coastline are ice-free for longer periods and the ‘Northwest Passage’ is navigable for several weeks very year. This could enable the shipment of supplies which now must be flown in, lowering the now-horrendous cost of food, but also makes the mineral-rich area more vulnerable.

Compounding all the climate-related problems in the Arctic is the fact that per person carbon emissions are much higher there because of the widespread use of fossil fuels for heating and generation of electricity.

A network of small modular nuclear reactors would solve a lot of problems.

Sunday, November 17, 2024

One last painted pair – for now

Mount Rundle
watercolour card
©2024 Charlene Brown

This is the mountain as seen from the old highway just west of Banff – a location frequently used by the plein air classes when I attended the Banff School of Fine Arts 70 years ago.

Semi-abstract version

This is the last painted pair in this series.  Next I’m going to try computerpainting (with Photoshop™) variations along the realism/abstract continuum ─ on one painting.

There will be more pairs where both are painted, as I’ve still got lots of those blank watercolour cards.




 

Wednesday, November 13, 2024

A proactive approach to four potentially awful years

Pangnirtung Fjord*
watercolour and crayon
©2007 Charlene Brown

Most of the articles in the Opinion section of the November 9 Globe & Mail were about ‘Trump Country.’  I read every word of disbelief/ disgust/dismay about the outcome of the American Election, and agreed with almost all of them.

But I have only clipped and saved one article, the relatively positive ‘Taking control of our relationship with Trump’ by Edward Greenspon, Janice Gross Stein, and Drew Fagan. 

The gist of this piece is that discussions with the Trump government must shift from “the most beautiful word in the world” – tariffs – to another subject of which he is fond negotiations.  And the focus should be on “doing things together in areas where we can clearly help them, and sometimes where only we can help.” These would include: Arctic security (hence the painting, above), critical minerals, energy security, and advanced technologies such as AI research, space surveillance, semi-conductor packaging.

*Pangnirtung is the only place in Canada where I’ve actually seen chartreuse arctic poppies. I like these flowers so much that I transplanted them as far away as Yukon in a painting I posted in 2016

Sunday, November 10, 2024

Still chipping away at my 50-pack of greeting cards…

Castle Mountain
watercolour card
©2024 Charlene Brown

This is the view of Castle Mountain seen from the TransCanada Highway about halfway between Banff and Lake Louise. This card was a variation on one of the few acceptable Christmas cards I painted last year.

Semi-abstract version

I prefer this to the representational version above, but hardly anyone else does.


 

Wednesday, November 6, 2024

The site of the Climate Change Conference, COP29


Baku, Azerbaijan
watercolour and marker
©2024 Charlene Brown

This painting is a composite of pictures found on the internet. I’ve never been to Baku (and won’t be going for COP29) but I got petty close in 2017 when I was in Tabriz, Iran, an 8-hour drive away

The next major international UNFCCC* event is the Climate Change Conference, COP29, in Baku, Azerbaijan, starting in a few days on November 11. 

At the heart of this year’s negotiations is the post-2025 climate finance goal, known as the New Collective Quantified Goal (NCQG). High-emitting, wealthy Global North states, like Canada, owe a “climate debt” to Global South countries, who have contributed the least to climate change yet are facing the brunt of its impacts. Climate finance is essential to the energy transition.

*UNFCCC stands for United Nations Framework Convention on Climate Change. The Convention has near universal membership (198 Parties) and is the parent treaty of the 2015 Paris Agreement.Ba

Sunday, November 3, 2024

Another pair of greeting cards

Lake Minnewanka and Mt. Inglismaldie
watercolour card
©2024 Charlene Brown

This version of Lake Minnewanka was on a Thank you card I painted several months ago.

Semi-abstract version

This card was painted using a technique I outlined in a 2018 blog post about abstracting landscapes I’d paintedpreviously.  (When painting the much smaller greeting card however, the initial rough drawing is done with masking fluid, rather than oil pastel or crayon.) As in the 2018 abstract, I’ve introduced the Hundertwasser’ effect on the deciduous trees.





 

Sunday, October 27, 2024

More greeting card paradigm shifts

Camping at Two Jack Lake
watercolour and ink on a greeting card
©2024 Charlene Brown

Semi-Abstract version

 

 

 

 

 







In a blog post on June 16,  I mentioned that I have tried to see and paint things differently, shifting away from realism toward abstraction.  I also said that “sometime soon” I would try painting pairs of greeting cards of the same location, one representational and one semi-abstract (but recognizable), at the same time.

Since then I finished and wrote about the paintings I started on a cruise to Alaska and later re-wrote a series of blog posts on the pschology of creativity.  It turns out that now is the soonest I could manage to start writing about my planned paradigm shift.

I sent the first ‘Camping at Two Jack Lake, above, to one of my granddaughters for her birthday.  She has actually been to this campground near Banff many times. The other went to my sister, who is an artist who prefers to work abstractly herself and is just about the only person I know who prefers my less representational paintings.


 

Sunday, October 20, 2024

Top Ten Future Disruptions in Society, Economy, Environment, Politics, and Health


Fig. 1 from Policy Horizons report 

According to a (dismal) 2024 report, Disruptions on the Horizon by Policy Horizons Canada:

“Predicting the next big upheaval may not be possible, but it is crucial to explore possible disruptions and anticipate potential future scenarios. Even seemingly distant or improbable events and circumstances can suddenly become reality, while overlapping disruptions can lead to compounded societal impacts.”

The impact and likelihood of 35 possible future disruptions, categorized into five domains: society, economy, environment, politics/geopolitics, and health, is shown on the chart above.  Only four appear to have any good aspects:

  • The North experiences an economic boom,
  • Geo-engineering takes off,
  • Biodata is widely monetized, and
  • Indigenous peoples govern unceded territory.

I have my doubts about geo-engineering, and was relieved to see it is not among the most likely disruptions listed in the report (see below). In fact, only one of the ‘possibly good’ disruptions, Biodata is widely monetized, is listed among the 10 most likely occurrences. 

Unfortunately, of the remaining nine ‘most likely’ four also make the ‘highest impact' list:

  • People cannot tell what is true and what is not
  • Biodiversity is lost and ecosystems collapse
  • Emergency response is overwhelmed
  • Cyberattacks disable critical infrastructure


The chart at the beginning of this report summary also shows the time when the disruption could occur.  This is represented by the shape of the icons and is divided into time segments of 3-5 years (triangle), 6-8 years (square), and 9+ years (hexagon).

As well, the report presents a hypothetical timeline showing when the top ten disruption, (roughly, those in the upper right quadrant of the above chart) will occur. I have not included this timeline as I think it’s misleadingly precise about highly speculative opinion-based numbers.


Wednesday, October 16, 2024

Drawn and quartered in Seattle

Medieval stretching apparatus
Photoshopped™ photograph
©2024 Charlene Brown

On September 27, I flew to Seattle (23 minutes on Alaska Airlines), cleared U.S.Customs and proceeded to the Departures floor to check in for my flight to Madrid where I was to begin a two-week Art Gallery of Greater Victoria tour of Spain.  Here is what happened instead.

In the middle of the main concourse I turned slightly, but the thick treads on the running shoes I was wearing (because they were too big to pack) grabbed the polished floor and did not turn, even slightly.  And I did a face plant over the suitcase I was rolling. 

An agent from the nearby Delta desk cautioned me against trying to get up, called 911 and, most importantly, stayed with me (answering questions from the many people milling about) until the paramedics arrived.  An ambulance took me to St. Anne Hospital where it was determined by several x-rays and a CAT scan that I didn’t have a concussion but did have a fractured radius in my left arm.  

An ER doctor warned that for their next trick they would be using the Medieval torture apparatus pictured on the left.  Soon I was strung up to five chain mail cylinders which grabbed and held the fingers of my left hand, stretching my suspended (and weighted) arm while the parts of the radius were prodded back in line.  The pain was nowhere near what I was expectng after that grizzly introduction. Apparently their bone-setting expertise includes highly skilled management of expectations.

The next day Alaska Airlines accepted my return ticket to Victoria (dated today, Octoner 16), and put me on the first available flight home.  

 

Sunday, October 13, 2024

Canadian Railway Architectural styles

 

Railway Chateau architecture
watercolour and crayon
©2011 Charlene Brown

The Chateau Frontenac, pictured here, was built in 1893 and is probably the most flamboyant of the Canadian railway hotels built in the Railway Chateau style. This evolved as a distinctly Canadian style of architecture, using towers and turrets and other Scottish baronial and French chateau elements.


Railway Pagoda architecture
watercolour, crayon and ink
©2013 Charlene Brown

This view of Banff includes the Banff Park Museum (on the far left) in the famous shot straight up Banff Avenue to Mt. Cascade.

 The museum, a National Historic Site, was designed in the late nineteenth century ‘railway pagoda’ style favoured for the initial cross-country railway station building construction in Canada..



This will be a page (pretty much the last page, actually) in the book I’m putting together called Time Travel with a bag of crayons.





Wednesday, October 9, 2024

This is not Spain


Nivernais Canal in Auxerre
watercolour sketch
©2024 Charlene Brown

In early September I was preparing watercolour paper for some painting I hoped to do during an Art Gallery of Greater Victoria art tour to Spain, when I received some lovely photos from my daughter who was making her “hilariously slow” way along the Nivernais Canal south-east of Paris.  Her shot of Auxerre seemed especially paintable, and although it wasn’t the same shape (see below) as the paper I had ready for the Spanish trip, I scrunched it into a square and painted it anyway. 

Little did I know, it would end up standing in for the whole series of paintings of the Spanish trip on which I only got as far as Seattle.  More about that next week…



Saturday, October 5, 2024

UAPs in Ancient Egypt


Temple of Seti I bas reliefs
Photoshopped™ photograph
©2024 Charlene Brown

 The temple of Seti I at Abydos in Egypt, considered to be one of the most beautifully decorated Egyptian temples, contains many bas relief friezes at ceiling height.  The one shown below, contains the (in)famous “Helicopter Hieroglyphics” (just to the left of the centre of the photo) that is featured in the above computer painting.

The apparent but unintended UAP* content is a palimpsest, resulting from the reuse of the bas relief panel.  This sort of appearance, with the original still partially visible, occurs when a sculpture was started by one pharaoh (in this case Seti I) then plastered over and altered under the direction of another (his son, Ramses II).

*unidentified anomalous phenomena, formerly known as UFOs


Sunday, September 29, 2024

Enhancing Creativity VI


Preparing  the  mind for Creativity Enhancement
watercolour and Photoshop™
©2014 Charlene Brown

Evangelia Chrysikou, our Psychology of Creativity instructor, reminded us frequently of Louis Pasteur’s declaration that ‘chance favours the prepared mind,’ and encouraged us to keep this in mind while considering the myriad ways of enhancing creative thinking and creative ways of doing things.

Group brainstorming, for example, is only likely to be productive after participants have done some preparation in the form of individual study and solution-finding.  Similarly, the observation, presented earlier, of benefit being derived from an incubation period only after an initial period of concentration on a problem or project, illustrates the importance of preparedness.

Other ways to ‘prepare the mind’ are: 

·         Challenge yourself.

·         Seek activities outside your field of expertise.

·         Travel to a foreign country

·         Take a class. Like Psychology of Creativity.UAPs in Ancient Egypt                                                                

Sunday, September 22, 2024

Enhancing Creativity V

Visualization techniques
acrylic
©1993 Charlene Brown

Research has shown that episodic specificity induction – training in recollecting details of past experiences – improves performance on memory and imagination tasks and enhances divergent thinking. The ability to recall detail can be increased by forming a mental image –visualizing – a past or historical event.

This painting is an exercise in historic visualization using Umm al nar tomb carvings  with an overlaying or superimposing technique. Overlaying one image on another adds a new dimension to a painting and produces evocative results, conducive to creative visualiztion.

 


 

 

Sunday, September 15, 2024

Enhancing Creativity IV


Psychological distancing in Kyrgyzstan
computer collage
©2010 Charlene Brown

Applying psychological distance means thinking of a problem as being far away geographically and/or in the future… Is this why we produce those high-flying, all-powerful ‘To Do Tomorrow’ lists at the end of the day?

This technique makes people approach a problem or project in more abstract terms and has been shown to facilitate a more creative, less inhibited, approach. Seeing a problem from another person’s perspective may achieve psychological distance. Thinking of a problem situation as if it were unreal and unlikely can yield a ‘hypothetical’ answer. Or a graphic novel

 

Sunday, September 8, 2024

Enhancing Creativity III

Incubating an idea
watercolour and crayon
©2016 Charlene Brown

Take a break from solving a problem and do something else. It is important that this break takes place after giving the problem some thought, so that the break provides an incubation period for any ideas you may have begun to form.I should mention right now that the ‘break’ pictured here at the top of the Sea-to-Sky Gondola took place during our annual Mothers Day weekend in Squamish.  

I had not given any thought at all to the ‘problem’ of taking an online Psychology of Creativity course which was to begin the day after Mothers Day, and thus had no preparatory ideas to incubate. Anyway, misleading painting title aside, when we returned home Sunday night, I found a lot of preliminary reading and a long interactive lesson module in my email Inbox. Long story short, I got through it in time for the first 10 am live computer session Monday morning – even after the belated discovery that it started at 10 am Eastern time (7 am Pacific) but I digress…

Back to the concept of incubating an idea.  A nap that achieves REM sleep provides the ideal ‘incubation’ period. If the schedule can’t include this, similar benefits can be achieved by doing some mind-numbing (and mind-wandering-inducing) task during the break.

This has been tested in a controlled laboratory setting with boring computer tasks, but most of us are already aware that boring jobs encourage daydreaming. Isn’t it great that scientists have shown this is a good thing!


 

Sunday, September 1, 2024

Enhancing Creativity II

Flexibility at the Ribat of Monastir
watercolour
©2006 Charlene Brown

In addition to idea generation, true creativity involves evaluating your options, according to a study printed in NeuroImage in 2011. This theory was tested by students from the Emily Carr University of Art + Design in Vancouver.

To distinguish between the generative and evaluative components of creativity and measure them separately as much as possible, they were asked to design illustrations for book covers on an fMRI-compatible drawing tablet while inside a brain scanner. They were to come up with ideas for their sketches for 30 seconds and then spend 20 seconds evaluating what they had sketched.

Activity in various areas of the brain was measured throughout the exercise. The results supported the hypothesis that the posterior (temporal and occipital) lobes of the brain are more associated with generative thinking and the prefrontal cortex is more associated with evaluative thinking. It also appeared that creativity involves a rapid shifting between these two processes cognitive flexibility. 

Other researchers have developed mental exercises that could stimulate this cognitive flexibility – including performing common tasks in an unconventional manner.  I chose this painting of the Ribat, an Islamic fort, at Monastir, Tunisia to illustrate this point. 


The painting was compiled from two photos I took from the fort in the centre of the picture. The view on the left, above (looking north) was reversed so that the painting appears to be the view from the far distance, behind the Bourghiba Mausoleum looking south toward the fort. The view, on the right, above (looking south) to the Bourghiba residence remains (roughly) as photographed.

I often rearrange the components of a landscape to improve the composition of a painting, but a complete reversal like this is unusual.


 

 

Sunday, August 25, 2024

Enhancing Creativity I


Lowering cognitive control
Computer drawing

Research that our Psychology of Creativity instructor, Evangelia G. Chrysikou, had done indicated that techniques for boosting creative potential may involve lowering cognitive control  breaking down established ways of viewing the world or invoking unconscious thought processes.

This helps overcome functional fixedness and puts people in a more open state of mind for problem-solving.

At my daughter‘s birthday party about fifty years ago, I tried lowering cognitive control by overcoming functional fixedness – the idea there is ‘one right way’ of doing something – with an elephant drawing competition. 

Without mentioning that they were supposed to be drawing an elephant, I gave the following instructions:

  • Draw a circle in the upper left part of the paper.
  • Draw eight vertical parallel lines in the lower right part.
  • Add two short curved lines and one long curved line to the circle.
  • Draw a little circle inside the first circle and a big floppy circle beside it. 
  • Draw an oval that touches the first circle and runs along the top of the parallel lines.

My favourite drawing looked like the computer painting above, as I recall (remember that was before we had digital cameras so we didn’t take pictures of everything we saw). It won for ‘best use of colour‘ and did well in the ‘best legs‘ category, but placed well down in the ‘looks like an elephant‘ part of the competition. I remember thinking this drawing would have done well in a 'looks like a moose‘ contest...

The generic parts technique that I used in the elephant-drawing contest above is one way of doing this by describing something in terms of its generic features rather than its actual name or function.

 I will write more blog posts about creativity-enhancing research as well as my take on how the theories involved can be applied by artists.


Sunday, August 18, 2024

Historiometrics

Serapeum at Alexandria
Computer painting
(This painting doesn’t actually exist except on my computer.)
©2013 Charlene Brown

A little background after Alexander the Great conquered Egypt in the 4th century BCE, a combined Hellenistic-Egyptian god in human form was introduced to reconcile the two belief systems. An impressive temple was built (apparently vaulted in lodestone) that housed a colossal wood and iron statue of Serapis “which was neither supported on a base, nor attached to the wall by any brackets, but remained suspended.”

Later Christians considered this engineering feat diabolical trickery and the temple was ordered destroyed in the 4th century CE.

This miraculously suspended statue of Sirapis may not have actually existed, which would account for its absence in the list of the Seven Wonders of the World

. . . . . 

Historiometrics is a quantitative method for the study of creativity and its sociocultural context. The technique depends on the scientific analysis of retrospective biographical references and historic data.

It has been used by D.K. Simonton to examine different hypotheses about the creative process:

  • Psychometric data about creative individuals (skills and knowledge, abilities, attitudes, personality traits, educational achievement, as well as creative precociousness and productivity) is derived from biographical references.
  • This is quantified and analyzed, using statistical methods such as factor analysis, multiple regression and hierarchial linear modeling,
  • in terms of available information about the individuals’ environments – role model availability, geographical marginality, economic or military/political circumstances during their particular period in history
The next five blog posts will be an updated outline of an online course I completed recently, The Psychology of Creativity, part of the Active Learning program at NYU School of Engineering. The course instructor was Evangelia G. Chrysikou, an assistant professor of psychology at the University of Kansas, where she taught cognitive neuroscience and creative cognition. 

Behavioral techniques:

·         Lowering cognitive control

·         Cognitive flexibility in generating and evaluating ideas

·         Incubating ideas

·         Psychological distancing

·         Visualization techniques



 

 

 

 

Sunday, August 11, 2024

Sketching an Alaska Cruise VIII


Klawock AK
crayon, ink and watercolour
©2024 Charlene Brown

Klawock, with a population of about 800, is situated on Prince of Wales Island. This is their first year in the cruise ship business, and unlike Ketchikan, less than 90 kilometres away, they are working hard to increase the number of ships visiting there.  (Ketchikan, along with Juneau and Skagway, are looking at restricting the number of cruise ships and some residents are even hoping that occasional cruise-free days can be scheduled!)

As we filed onto Klawock’s brand new docking facility from the Regatta (their third cruise ship ever), we were treated to a Tlingit welcoming ceremony with singing and dancing and refreshments followed by a free shuttle to a unique arts and crafts exhibition and totem carving centre.  The beautiful native work we were shown was probably the most authentic that we saw anywhere in Alaska.    

Sunday, August 4, 2024

Sketching an Alaska Cruise VII


Cruise ship terminal, Sitka AK
crayon, ink and watercolour
©2024 Charlene Brown

Russian explorers settled Old Sitka in 1799, naming it Fort of Archangel Michael.  In June 1802, Tlingit warriors destroyed the original settlement, killing many of the Russians. The Russians got it back following the Battle of Sitka in October 1804, and established the rebuilt town as New Archangel which they designated the capital of Russian America.

The original Cathedral of Saint Michael the Archangel was built in Sitka in 1848 and became the seat of the Russian Orthodox bishop of Kamchatka, Alaska, and the Kurile and Aleutian Islands. 

Full disclosure: This cathedral (shown in the painting above) is located in the downtown business district of Sitka, nowhere near the cruise ship terminal.

Russia was going through economic and political turmoil after it lost the Crimean War to Britain, France, and the Ottoman Empire in 1856, and decided it wanted to sell Alaska before British Canadians tried to conquer the territory. Sitka was the site of the transfer ceremony for the Alaska purchase by the United States on October 18, 1867. The purchase price (at 2 cents per acre) was $7.2 million.