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computerpainting
©2015
Charlene Brown
I have experimented with the
17-shape design, South American Terraces III, the computer produced a few days ago. The objective was to get some idea of how much adjustment – colour
triad, proportion, duplication – as well as a ‘finishing’ application of
contour or connecting lines or embellishments
needs to be available in the final step of the Plan B procedure outlined
below in order to make the quantum leap.
Plan B for haiku illustration
will generate these 17 shapes, rather than deriving them from an existing
painting, as was done for this ‘practice’ design.
Quantum Leap
Haiku Illustration – Plan B
1.
Define a variety of
organic/geometric shapes and display 17 of them (corresponding to the 17
syllables in a haiku) to compose the picture, while printing the haiku.
2.
As with Plan A, placement would
begin in one of the Golden Section positions, and proceed according to general
assymetric balance guidelines.
3.
Various image manipulations,
custom-designed for the 17-shape compisition, would be available (automatic,
with the option of manual application)
Will the results be enigmatic
but inspirational? Or just bewildering? …to be continued
